Tag: Modernism

Architectural Authorship and Authority: Denise Scott Brown In 1967

February 23, 2024 / / 0 Comments

Denise Scott Brown at Das Pathos das Funktionalismus (“The Pathos of Functionalism”), Berlin, 1974. Photograph IDZ Berlin/Christian Ahlers; Courtesy of Venturi Scott Brown Collection, The Architectural Archives, University of Pennsylvania.

Architectural Authorship and Authority: Denise Scott Brown In 1967
by Denise Costanzo, Associate Professor of Architecture,
The Pennsylvania State University
Friday, March 15, 2024, at 5:30 p.m.
The Architectural Archives
Stuart Weitzman School of Design
University of Pennsylvania
220 South 34th Street at Smith Walk
(Lower Level of the Fisher Fine Arts Library building)
Philadelphia, PA 19104
Reservations requested at info@philachaptersah.org

The ongoing controversy over Denise Scott Brown’s exclusion from the individual Pritzker Prize awarded to Robert Venturi in 1991 hinges on issues of authorship, attribution, and equity in architectural partnerships, and in the wider profession. The Pritzker jury highlighted Venturi’s early, more seemingly independent work, including his sole-authored Complexity and Contradiction of 1966. Scott Brown, however, worked on her own ambitious book project during these same years, one whose different fate prefigured her distinct trajectory. Contextualizing Scott Brown’s decisions about the function of ambitious writing at a pivotal juncture humanize the complexities that followed.

Denise Costanzo is Associate Professor of Architecture at the Pennsylvania State University. She is co-editor (with Andrew Leach) of Italian Imprints on Twentieth Century Architecture (Bloomsbury, 2022) and author of What Architecture Means: Connecting Ideas and Design (Routledge 2015). Her essays on Denise Scott Brown and Robert Venturi have appeared in journals and books that including The Routledge Companion Guide to Fascist Italian Architecture: Reception and Legacy (Routledge, 2020); and Denise Scott Brown: In Others’ Eyes (Birkhaüser, 2022). Her current book project is Modern Architects and the Problem of the Postwar Rome Prize: France, Spain, America and Britain (University of Virginia Press).

Wildwood: Looking Back To America’s Promised Future

April 18, 2023 / / 0 Comments

The Society for Commercial Archeology presents
Wildwood: Looking Back To America’s Promised Future

photo by Mark Havens

with Daniel Vieyra and Mark Havens
Wednesday, May 17th 8:00 p.m.on Zoom
Free For members of SCA, Society of Architectural Historians Philadelphia Chapter, Docomomo-US-PHL, and Doo Wop Preservation League
please register here for the Zoom link
https://www.eventbrite.com/e/wildwood-looking-back-to-americas-promised-future-registration-562580151377

Join architect and preservationist Daniel Vieyra and photographer Mark Havens as they present the rich midcentury modern motel architecture of Wildwood, New Jersey from two distinct viewpoints. Vieyra will discuss his preservation work with Steven Izenour on the 1990s design studios that cataloged, analyzed and evaluated the motels. The project ultimately identified clusters that coherently told the story of Wildwood’s evolution while allowing areas in between for new development. Havens will discuss his decade-long photography project documenting these structures that resulted in the monograph entitled “Out of Season: The Vanishing Architecture of the Wildwoods”.

A BIG FISH IN A SMALL POND: JOE BRIGHT (1905-1976), FROM PENN TO PIONEERING MODERNISM IN SOUTH GEORGIA

November 9, 2022 / / 0 Comments

by Alfred Willis, PhD, independent architectural historian, retired Professor of Architecture
Thursday, December 1 at, 7:00 p.m. online via Zoom
Free, but registration required.  Email David Breiner <David.Breiner@jefferson.edu> no later than 8:00 PM on Nov 30 to receive the Zoom link.

A Kentucky native and 1931 architecture graduate of the University of Pennsylvania, Joe Bright set up an independent practice in 1949 in his wife’s hometown of Valdosta, Georgia, in 1949.  His fledgling firm distinguished itself as the producer of many of the most notable of the town’s first Modernist buildings.  Alongside them Bright also designed a number of dramatic houses in which he combined Colonial Revival stylistic effects with Modern principles of composition.  Tracing his career provides a chance to explore how a mid-20th-century architect could negotiate the tension between tradition and innovation to produce a coherent body of work whose qualities have become all the more apparent in a retrospect informed by the Postmodernism of the Philadelphia School.

LONG AND IMPORTANT PRACTICES RENDERED TOO BRIEFLY: THE ARCHITECTURE OF ALFRED AND JANE WEST CLAUSS

November 23, 2021 / / 0 Comments

by George Dodds, PhD
Alvin and Sally Beaman Professor of Architecture
University of Tennessee, School of Architecture
Wednesday, September 14 at 7:00 PM (rescheduled from Dec. 2, 2021)
Online via Zoom
Free, but in order to receive a private link to the Zoom presentation registration is required with david.breiner@jefferson.edu

Join us for another in our series of talks on “The Elusive Philadelphia School – The Many Guises of Philadelphia Modernism”

Architectural history is a fickle thing. Until the publication of the new edition of Kenneth Frampton’s, Modern Architecture: A Critical History, Carlo Scarpa’s work occupied an important place in the book’s conclusion, offered as a paradigm of “critical regionalism.” In the new edition, published last year, Scarpa’s work is all but relegated to a footnote. The work of the Philadelphia-based architects Alfred and Jane West Clauss has been visited a similar fate, albeit over a much longer trajectory. Absent from virtually every major overview of Modern Architecture, one finds fragmentary references to Alfred alone in two monographs on William Lescaze, and Mark Lamster’s, The Man in the Glass House: Philip Johnson, Architect of the Modern Century. Even in Mies van der Rohe’s own payroll accounts from his Berlin office, used while designing The German Representation Pavilion for the 1929 Barcelona International Exposition, and the Tugendhat House, an “Alfred Claus” appears, but absent the second “s.” And while many of the most provocative claims about Alfred Clauss’s role in watershed moments of 20th-century modern architecture are almost invariably traced back to Alfred himself, there is still this. Over the course of his career, he worked with Mies van der Rohe while the Barcelona Pavilion was being designed, with Howe & Lescaze on arguably the most important tall building in the United States before WWII, with Philip Johnson on Johnson’s apartment designed by Mies and Lilly Reich, and the design of the perhaps the most important exhibition of the 20th century, MoMA’s 1932, Modern Architecture: An International Exhibition, while also included in the exhibition. And all of this was before he and Jane West Clauss designed the first enclave of modern houses in the United States on an isolated knoll in an obscure corner of Knox County, Tennessee. And yet, there is more.

George Dodds earned his professional architectural degree at the University of Detroit and his Master of Architecture, and a PhD in architectural history and theory from the University of Pennsylvania. Dodds has published two books: Building Desire: On the Barcelona Pavilion (Routledge, 2005) and Body and Building: Essays on the Changing Relation of Body and Architecture (MIT Press, 2002) co-edited with Robert Tavernor. He has authored over fifty articles, papers, and public lectures spanning the work Mies van der Rohe, Richard Neutra, Carlo Scarpa, Gabriel Guevrekian, William Lescaze, and current practitioners such as KieranTimberlake, and Duvall Decker Architects (recently on the Common Edge website). He is currently working on a feature for Architectural Record on the recently completed conservation of the Brion Tomb and Sanctuary while continuing his research into the work of Alfred and Jane West Clauss.

Topic: PC_SAH_George Dodds talk
Time: Dec 2, 2021 07:00 PM Eastern Time (US and Canada)

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LEARNING TO SEE: REVISITING DENISE SCOTT BROWN’S WORK AND IDEAS

April 11, 2021 / / 0 Comments

With AIA National President Peter Exley and Carolina Vaccaro, Scholar and Curator
Thursday, April 22, at 4:00 p.m.
Free and open to all via this Zoom link:
https://temple.zoom.us/j/95425410506

This is the third talk in SAH Philadelphia’s The Elusive Philadelphia School; The Many Guises of Philadelphia’s Modernism lecture series. Keep your eye on our website for future talks in this series www.philachaptersah.org

“Denise Scott Brown: ‘Learning to See’” will be on exhibit at Temple Contemporary from May 20 through September 19, 2021.

Denise Scott Brown is regarded as among the most influential architects of the twentieth century; through her architecture, planning, theoretical writing and mentorship she and her late partner, Robert Venturi are credited with changing the course of American Architecture.

One of the guiding principles underlying this new trajectory is a non-judgmental way of looking at and responding as designers to the everyday built environment. This “Learning From . . .” approach is vividly conveyed in the photography of Denise Scott Brown.

The photos on display document Scott Brown’s travels, inspirations and interests through the lens—from the rural vernacular of South Africa to the beauty and banality of European cities, to the significance of pop culture in the American built environment, like the Las Vegas Strip, through its gas stations, billboards, roadside stores, signs, advertisements and more. (https://www.archdaily.com/959625/learning-to-see-denise-scott-brown)

In advance of the show’s opening, SAH Philadelphia, in conjunction with the Tyler Department of Architecture is pleased to bring together two prominent architect/scholars in their own right, who learned from, and were profoundly influenced by, their formative experiences with Venturi Scott Brown and their associates.

Peter Exley, FAIA, AIA President, co-founder of the Chicago based firm architectureisfun: Peter Exley has established an internationally-recognized, award winning practice of architecture for children, families and communities elevating the standards of design for learning and play environments. He worked at Venturi, Scott Brown & Associates in the late 1980’s.

Carolina Vaccaro is an architect and scholar based in Rome, Italy, and has published multiple works around this topic. Vaccaro worked at the office of Venturi, Scott Brown & Associates in the 1980s. She is the scientific curator and designer of the “Denise Scott Brown: ‘Learning to See’” exhibition at Tyler Contemporary.

We hope you will join us for what promises to be a lively and revealing discussion.

The photography of Denise Scott Brown has been featured in a variety of shows and publications, including:

Aperture
(https://aperture.org/editorial/denise-scott-brown-las-vegas/

Graham Foundation
http://www.grahamfoundation.org/public_exhibitions/3878-las-vegas-studio-images-from-the-archives-of-robert-venturi-and-denise-scott-brown

Carriage Trade, N.Y.
https://carriagetrade.org/Denise-Scott-Brown-Photographs

Arch Record / Venice Biennale
http://www.architecturalrecord.com/articles/11824-view-master-the-world-as-seen-by-denise-scott-brown

A BOLD VENTURE FOR HEALTH: KLING’S LANKENAU HOSPITAL AND THE ARCHITECTURE OF COMMUNITY

March 1, 2021 / / 0 Comments

by Kevin Block, PhD
Thursday, March 25 at 7:30 p.m.
Free, no registration required
Online via Zoom, see below for access information

Lankenau Hospital was, perhaps, the most modern community hospital in America when it opened near the beginning of suburban Philadlephia’s prestigious Main Line in December of 1953. Wowed by its Atomic Age medical technology and focus on preventive health, the local press hailed Lankenau as an entirely “new kind of hospital.” The editors of Architectural Record and Progressive Architecture, meanwhile, awarded Kling’s design national honors for transcending the merely functional requirements of a healthcare facility. To them, Lankenau was “real architecture.” Edmund Bacon, Philadelphia’s famous master planner, was so impressed by Kling’s model for Lankenau that after seeing it he invited Kling to work with him on Center City’s urban renewal. Lankenau was thus the beginning of Kling’s transformation from a young hospital architect into the owner of what would become Philadelphia’s most prominent corporate architecture firm.

While historians tend to think of corporate architecture as placeless practice and overlook the importance of regional firms in the evolution of what is now a global design industry, Lankenau was a complicated, elite-directed exercise in middle-class community building, one that projected an image of scientifically administered healthcare in order to manage the process of postwar suburbanization. Central to this image was the architect himself. Kling not only served as a designer, but he also appeared as a glamorous “new man” in fundraising and promotional material that aimed to excite Philadelphia’s upper class. In reading the design of Lankenau alongside the use of Kling’s persona in Lankenau’s “A Bold Venture for Health” fundraising campaign, this presentation will attempt to complicate the prevailing theory of corporate architecture as placeless practice with a locally-informed case study in the architecture of community development.

Kevin Block is an architectural historian and preservationist who received his undergraduate degree from Princeton University and his doctorate from the University of California, Berkeley. He has taught courses in architectural history and American Studies at Berkeley and, most recently, at Princeton. His research focuses on the history of American architecture in the nineteenth and twentieth centuries, especially the development of architecture as a profession. This presentation is part of a book-length project about Vincent Kling and the figure of the corporate architect. He writes a newsletter about this project entitled “The Architect as Doer” (https://tinyletter.com/kpb/archive). He was born in Lankenau Hospital.”

This is the second talk in The Elusive Philadelphia School; The Many Guises of Philadelphia’s Modernism lecture series. Keep your eye on our website for future talks in this series www.philachaptersah.org”

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ALFRED PANEPINTO: MODERNIST?

February 25, 2021 / / 0 Comments

by Alfred Willis, PhD, Consultant/Researcher in Architectural History
Thursday, March 11 at 7:30 p.m.
Free, no registration required.
Online via Zoom, see below for access information.

For over fifty years Alfred Panepinto (1907-94 ) pursued a career in greater Philadelphia after completing his architectural education at Harvard University in 1931. His long-term employment by Sun Oil Co., beginning in 1934, laid the foundation for his success. A notable feature of his career was his frequent service to clients noted for a commitment to conservative politics, notably J. Howard Pew of Sun Oil.

In the 1950s and 1960s Panepinto built a significant number of structures for academic institutions, including Grove City College and the PMC Colleges (later Widener University) in Pennsylvania and Hampton Institute (now University) in Virginia. Examination of those and several other of Panepinto’s contemporary buildings sheds light on the compositional strategies the architect employed to achieve effects that were unequivocally Modern yet appealing to clients opposed to the progressivism often associated with mid-20th-centruy Modernism. This light permits a new assessment of the so-called retreat from Modernism ca. 1960 as well as of the precocious Postmodernism of the Philadelphia School.

Alfred Willis is an architectural historian and preservationist who received his doctorate in Art History from Columbia University, his Master in Library Science from the University of Chicago and his undergraduate degree in architecture from Clemson University. He has been on the architecture faculty at Hampton University and Kent State University.

Dr. Willis is the editor of SAH Archipedia: South Carolina. As a prolific scholar, he authored over eleven publications and over 30 papers and presentations. Since his recent retirement he has served as a preservation consultant preparing National Register Nominations and landmark designations.

This is the first talk in our The Elusive Philadelphia School; The Many Guises of Philadelphia’s Modernism lecture series. Our next in the series will be on March 25, “A Bold Venture for Health: Kling’s Lankenau Hospital and the Architecture of Community”

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HORMIGÓN EN CONCRETO: A MATERIAL HISTORY OF EARLY 20TH-CENTURY CONCRETE ARCHITECTURE IN PUERTO RICO

September 22, 2019 / / 0 Comments

by Héctor J. Berdecía-Hernández, University of Pennsylvania, Graduate Program in Historic Preservation and 2019 SAH Phila Chapter George B. Tatum Fellow.

Wednesday, October 16 at 6:00 p.m.
B-3 Meyerson Hall, University of Pennsylvania Weitzman School of Design

Free and open to the public, no registration required.

After the Spanish-American War of 1898, new forms, construction technologies, and innovative building materials were introduced in the new Caribbean and Pacific colonial possessions of the United States. As an experimental site for a new American project, Puerto Rico became a target quickly for concrete manufacturers and architecture/engineering firms since the early 1900s. As a Laboratory, the islands were the ideal place for the use of concrete, an -also- experimental building material at that time. In examining early 20th-century architecture and concrete construction technologies, this presentation will explore early American influences in Puerto Rican architecture. Furthermore, how concrete; as a building material, was not only a material used widely across America’s new possession in the Caribbean but also how it played a role in shaping new forms of colonial governance: the American colonization of Puerto Rico.

As a University of Pennsylvania’s Graduate Program in Historic Preservation Graduate Research and Teaching Assistant in the and Editorial Assistant for Change Over Time: An International Journal of Conservation and the Built Environment. Hector holds a double major degree in Environmental Design (B.EnvD.) and History, and a Post-Bachelor Certificate in Urban Studies from the University of Puerto Rico (UPR), Rio Piedras Campus. Héctor is currently a second year graduate student at Penn’s Historic Preservation program. Born and raised in San Juan and Moca, Puerto Rico, his research interests include conservation and innovative treatments of traditional building materials in the Caribbean region, preservation policy and history in Puerto Rico and the United States. His current thesis research focuses on the development of an assessment methodology, cleaning strategies and better conservation practices for exposed concrete surfaces in modern Caribbean architecture.

The Philadelphia Chapter of the Society of Architectural Historians’ George B. Tatum Annual International Conference Fellowship helps fund registration, travel and lodging expenses related to attending the annual meetings of the Society of Architectural Historians. For application information on the 2020 Fellowship visit https://philachaptersah.org/index.php/about/

A Memorial Forty Years in the Making: THE FRANKLIN DELANO ROOSEVELT  FOUR FREEDOMS PARK

May 6, 2016 /

Curator’s Talk & Tour

2016-06-16 FDR Four Freedoms Park

In 2012, the Franklin Delano Roosevelt Four Freedoms Park was completed posthumously as one of the last great projects of the visionary architect Louis Kahn (1901-74). Built in New York City, within view of the United Nations, the inside story of the Park’s design, the sudden death of its architect, the near-bankruptcy of the city, and the remarkable effort that brought the project to realization forty years after its conception, offers an unusual perspective on the making of public space today.

In these PAIRED EVENTS, William Whitaker will lecture about the project and its realization and – two days later – will lead an on-site tour of the Park. Original drawings and Kahn’s model of the park will be on-view at the talk venue for the exhibition: Harriet Pattison: Gardens & Landscapes (on view through July 15).

TALK:    Thursday, June 16th, 2016, 6:00 p.m. (rescheduled from 04/28/16)
Kroiz Gallery, Univ of Pennsylvania Architectural Archives, 220 S. 34th St.
Free, but space is limited, reservations required by email at info@philachaptersah.org or by phone to Bill Whitaker at (215) 898-8323

TOUR:   of FDR Four Freedoms Park, Roosevelt Island, New York City
date to be determined, if interested please let us know by email at info@philachaptersah.org or by phone to Bill Whitaker at (215) 898-8323

 

 

Curator’s Tour of Barton Myers: Works of Architecture and Urbanism

November 30, 2015 /

The Philadelphia Chapter Society of Architectural Historians invites you to
A Curator’s Tour of
Barton Myers: Works of Architecture and Urbanism
Thursday, Dec. 10 at 6:00 p.m.
Harvey & Irwin Kroiz Gallery, University of Pennsylvania Architectural Archives,
220 South 34th Street
Free and open to all.
Space is limited, reservations required at info@philachaptersah.org

Myers Residence

Myers Residence

This exhibition explores the remarkable architectural legacy of Barton Myers (GAR ‘64), an architect whose work ranges from stunning houses built of “off the shelf” parts to cutting-edge theater designs. Establishing his practice in Toronto, Canada in 1968, Myers first gained prominence for his “urban consolidation” projects – efforts aimed at countering suburbanization; he returned to the United States in 1984 to open a Los Angeles office, where he received wide acclaim for his performing arts centers and house designs. The exhibition presents more than 150 works, including models and design sketches, and is the first broad examination of the architect’s work to be shown on the East Coast.