by Suzanne Singletary, Ph.D., Associate Dean, New Academic Initiatives and Graduate Studies, College of Architecture and the Built Environment, Thomas Jefferson University
Tuesday Nov 12 at 6:00 p.m.
Lawrence N. Field DEC Center Forum
4201 Henry Avenue, Philadelphia, PA
Thomas Jefferson University’s East Falls Campus
Free and open to all, no registration required.
For public transit info see www.SEPTA.com.
Free parking is available in a nearby visitors’ parking lot accessed from School House Lane, just east of Henry Avenue, behind Search Hall.
As early as the 1830s, the English word home had migrated into the French language, signifying an isolated, self-contained domesticity and recognition that the “house” had undergone a radical redefinition. Population growth, demographic shifts, revolutions within the social and political spheres and, significantly, the all-encompassing redesign of Paris by Napoleon III and his urban planner Baron Haussmann effected a fundamental split between public and private spaces. Impressionist painters chronicled their responses to the “New Paris,” interpreting the many repercussions and permutations wrought by Haussmannization and leaving us a painted archive of urban vistas as well as the sequestered spaces of home. Their domestic interiors not only itemize activities of daily life, but also insinuate the volatile conditions and invariable frictions that accompanied modernity, specifically the often-strained relationships between modern men and modern women “at home.” Private space, by definition, permitted the enactment of clandestine psychological and gender-related dramas, intended to remain securely closeted behind closed doors.
Suzanne Singletary teaches the history and theory of art, architecture and design. She has been involved in the development of the History of Architecture and Interiors series and taught seminars in thesis research and preparation, photography and visual culture, and issues in contemporary architecture. Currently she serves as Associate Dean for New Academic Initiatives and Graduate Studies and Director of the MS Historic Preservation Program. Her research interests include interdisciplinary aspects of art, architecture, literature and music. She has participated in international symposia and been an invited speaker at the National Gallery of Washington, D.C., the National Gallery of London, the Tate Britain, the Art Institute of Chicago and the Philadelphia Museum of Art. She has published articles on Eugène Delacroix, French Symbolism, and Francesco Goya, and contributed essays to Impressionist Interiors (National Gallery of Ireland 2008), Perspectives on Manet (Ashgate 2012) and Rival Sisters (Ashgate 2014). Her book, James McNeill Whistler and France: A Dialogue in Paint, Poetry, and Music was published by Routledge, Taylor and Francis Group (2017).
by Suzanne Singletary, Ph.D., Associate Dean, New Academic Initiatives and Graduate Studies, College of Architecture and the Built Environment, Thomas Jefferson University
by Héctor J. Berdecía-Hernández, University of Pennsylvania, Graduate Program in Historic Preservation and 2019 SAH Phila Chapter George B. Tatum Fellow.
Wednesday, October 16 at 6:00 p.m.
B-3 Meyerson Hall, University of Pennsylvania Weitzman School of Design
Free and open to the public, no registration required.
After the Spanish-American War of 1898, new forms, construction technologies, and innovative building materials were introduced in the new Caribbean and Pacific colonial possessions of the United States. As an experimental site for a new American project, Puerto Rico became a target quickly for concrete manufacturers and architecture/engineering firms since the early 1900s. As a Laboratory, the islands were the ideal place for the use of concrete, an -also- experimental building material at that time. In examining early 20th-century architecture and concrete construction technologies, this presentation will explore early American influences in Puerto Rican architecture. Furthermore, how concrete; as a building material, was not only a material used widely across America’s new possession in the Caribbean but also how it played a role in shaping new forms of colonial governance: the American colonization of Puerto Rico.
As a University of Pennsylvania’s Graduate Program in Historic Preservation Graduate Research and Teaching Assistant in the and Editorial Assistant for Change Over Time: An International Journal of Conservation and the Built Environment. Hector holds a double major degree in Environmental Design (B.EnvD.) and History, and a Post-Bachelor Certificate in Urban Studies from the University of Puerto Rico (UPR), Rio Piedras Campus. Héctor is currently a second year graduate student at Penn’s Historic Preservation program. Born and raised in San Juan and Moca, Puerto Rico, his research interests include conservation and innovative treatments of traditional building materials in the Caribbean region, preservation policy and history in Puerto Rico and the United States. His current thesis research focuses on the development of an assessment methodology, cleaning strategies and better conservation practices for exposed concrete surfaces in modern Caribbean architecture.
The Philadelphia Chapter of the Society of Architectural Historians’ George B. Tatum Annual International Conference Fellowship helps fund registration, travel and lodging expenses related to attending the annual meetings of the Society of Architectural Historians. For application information on the 2020 Fellowship visit http://philachaptersah.org/index.php/about/
Philadelphia Chapter of the Society of Architectural Historians and
The Preservation Alliance for Greater Philadelphia invite you to
Learning From The Preservation Masters
Tuesday, May 14, 2019 at 6 PM – 8 PM
The Athenaeum of Philadelphia, 219 S 6th St, Philadelphia
Free but REGISTRATION REQUIRED at
What can experience teach us? How do we protect and build upon the hard-won preservation victories of the past six decades? How do we adapt our mentors’ legacies to address new challenges and opportunities for preservation?
Several members of the ‘Old Guard’ of Philadelphia’s preservation community come together for an evening that will give insight into the preservation world of the recent past. Join Preservation Alliance for Greater Philadelphia and the Society of Architectural Historians Philadelphia Chapter for a panel discussion with distinguished preservation professionals. Their combined 200+ years of experience stretches from architecture and planning, restoration, preservation advocacy, public policy, teaching, and more. Come reflect on the lessons they learned, hardships they faced, and advice they want to hand down to the next generation of preservationists.
John Andrew Gallery | Author and former Executive Director of the Preservation Alliance
Janet Klein | Member of the Board of Directors of The Woodlands
Hy Myers | Independent Architect and Planning Professional
Betty Turner | Vice Chair of the Philadelphia Historical Commission; President & Co-Founder of Germantown Community Connection
Moderated by Andrew Hart, Assistant Professor of Architecture for Visualization and Computational Design at the College of Architecture and the Built Environment at Jefferson University and Member of the Board of Directors of the Preservation Alliance.
The Oliver Evans Society for Industrial Archeology, the Philadelphia Chapter Society of Architectural Historians and the Wagner Free Institute of Science invite you to
A Glass Lantern Slide presentation by Martha Capwell Fox, Historian and Archives Coordinator for the National Canal Museum, a program of the Delaware & Lehigh National Heritage Corridor
Wednesday, December 5 at 6:00 p.m.
The Wagner Free Institute of Science, 1700 W Montgomery Avenue, Philadelphia
Reception to follow.
$15 per person for members of The Oliver Evans Society for Industrial Archeology, the Philadelphia Chapter Society of Architectural Historians and the Wagner Free Institute of Science and their guests, $20 for all others.
ALL TICKETS MUST BE PURCHASED IN ADVANCE, NO ADMISSIONS AT THE DOOR. Select ticket from drop down menu below, then click Add to Cart button.
The National Canal Museum’s collection of Rau glass lantern slides was a gift from Professor Charles Best, who was chair of the engineering department at Lafayette College. There are over 1200 slides in his collection, but we will see about 80 of the best of Philadelphia.
Martha Capwell Fox has been with the National Canal Museum for six years, but has a three decades-long relationship with the Museum through former Director Lance Metz. She graduated from American University with a dual degree in International Relations and History. She spent most of her career in publishing; working at National Geographic and was a senior editor at Rodale Press. She has published seven books, four Arcadia books on local Lehigh Valley history, and YA histories of swimming, auto racing and Vatican City. Her latest book, “Geography, Geology, and Genius: The Industrial History of the Delaware & Lehigh National Heritage Corridor” is in production and should be out by the end of the year.
The talk will take place in the historic Lecture Hall of the Wagner Free Institute of Science and is followed by a reception in the Museum.
About the Wagner: Founded in 1855, the Wagner Free Institute of Science is dedicated to providing free public education in science. Its programs serve all ages and include evening science courses—the oldest free adult education program in the country—lectures, field trips and children’s lessons. The Wagner is also committed to preserving and interpreting its National Historic Landmark building, designed by John McArthur, which opened in 1865. The building houses a Victorian-era lecture hall, a library, and three-story exhibition hall displaying more than 100,000 natural history specimens. The site is virtually unchanged since the 1890s. The Wagner today is both an educational institution that teaches contemporary science, and a historic site that presents a time capsule of Victorian science. It is open to visitors Tuesdays – Fridays, 9 AM to 4 PM, year-round, and offers an array of evening and weekend programs throughout the year. It is located at 1700 W. Montgomery Avenue, a few blocks from Temple University’s main campus and the Temple-Cecil B. Moore Broad Street Line station.
Presented by Craig Lee, art history Ph.D. candidate at the University of Delaware and Philadelphia Chapter SAH 2018 George B. Tatum Annual International Conference Fellow
Tuesday, October 2 at 6:00 p.m.
The Athenaeum of Philadelphia, 219 S 6th St,
For Philadelphia Chapter SAH Members and their guests only, please register at email@example.com
Initially dismissed as a visual blight, outdoor advertising structures rose with the twentieth-century’s new skyscrapers in the United States and soon came to overlook the urban realm, provoking intense public and professional debate about the changing nature of the American cityscape. Their transformational effect led to a range of responses across the country from new restrictive building codes and civic lawsuits to their embrace in architectural designs and urban depictions. Please join Craig to explore the history of rooftop billboards, illuminated spectaculars, and other forms of commercial signage on top of buildings in relation to the aesthetic politics of the American skyline
Please join the Philadelphia Chapter SAH for our annual meeting of the Members and program.
The “Lady Architect”: (Re)Discovering the Career
and Clientele of Minerva Parker Nichols (1862-1949)
by Margaret (Molly) Lester, Research Associate for PennPraxis and creator
of the Preserving Minerva website, www.minervaparkernichols.com
Wednesday, May 16 at 6:00 p.m.
at The Athenaeum of Philadelphia,
219 S. 6th Street
The program will begin following the annual meeting of the Members.
Free for Phila Chapter SAH members.
$15.00 for non-members, payable on site.
Registration requested at firstname.lastname@example.org
Although her formal independent practice lasted just eight years and was concentrated in the Philadelphia area, Minerva Parker Nichols (1862-1949) built a career and clientele of architectural and social significance in the late nineteenth-century’s professionalizing field of architecture. Trained as an apprentice, Nichols designed over 60 commissions nationwide, earning plaudits and extensive press coverage from her peers. Yet, she is rarely recognized today for her contributions to the field of architecture—in particular, on behalf of female clients and women’s clubs in an era of growing economic independence for women. This oversight neglects one of the earliest case studies of a woman successfully contributing dozens of structures to the American built environment—including spaces explicitly for women—and creating a business model as an independent female architect where there was none. This talk is based on research that began 7 years ago for a Master’s thesis, and continues today.
Margaret (Molly) Lester is a Research Associate for PennPraxis, the center for applied research, outreach, and practice at PennDesign. Her portfolio includes research, documentation, and field survey projects related to historic buildings and landscapes, ranging from eighteenth-century historic sacred places to twentieth-century public golf courses. Previously, she worked as a freelance architectural historian and preservation planner, a national program director for Partners for Sacred Places, and an architectural historian/historic tax credit consultant for Heritage Consulting Group. She holds a Master of Science in Historic Preservation from the University of Pennsylvania and a Bachelor of Architectural History from the University of Virginia.
Please join us on Saturday, March 17
10:00 a.m, to approximately 1:30 p.m.
$15 for Philadelphia Chapter SAH members and their guests, $20 for non-members, payable on site.
Registration required, please email your name and the names of your guests to email@example.com
We will be guided through three historic properties: The Speaker’s House was the home of Frederick Muhlenberg (1750-1801), the First and Third Speaker of the United States House of Representatives from 1781-1791. The house is currently being restored to its late 18th-C appearance. The Augustus Lutheran Church, a National Historic Landmark built in 1743, was where the Reverend Henry Melchior Muhlenberg (1711-1787), Frederick’ father, preached and became known as the patriarch of the Lutheran Church in the United States. And the Henry Muhlenberg House, a fully restored house museum furnished with many original family artifacts where Henry and his wife Anna Maria raised their large family, several of whom had a significant impact on colonial life in North America as pastors, military officers, and politicians. (www.speakershouse.org — www.augustustrappe.org — www.trappehistoricalsociety.org)
Then we will go to The Philip & Muriel Berman Museum of Art at Ursinus College for a special tour of the exhibit Real Estate: Dwelling in Contemporary Art with Museum Director, Charlie Stainback. Named by the Philadelphia Inquirer as one of “Fall’s 13 must-see art exhibits” it features the work of contemporary artists working with or responding to the varying aspects of real estate vernacular—buildings, rooms, structures, monuments, properties and houses. From the monumental to ubiquitous building, the ordinary, or derelict piece of property to the historic site, architectural details or the room itself, the artists presented in Real Estate consider an array of norms that fall under the much broader term of “architecture”. (www.ursinus.edu/berman).
We will begin at the Augustus Lutheran Church, 717 W. Main Street Collegeville (Trappe), PA, at 10:00 a.m. and tour the three properties through noon, then we’ll gather at the Berman Museum, 601 E Main Street, Collegeville, PA, at 12:30 p.m.
All of these sites are within 1.5 miles along Main Street.
The location of more than 200 historical period burial grounds in Philadelphia can now be viewed on the Philadelphia Archaeological Forum’s Historic Burial Places Map and Database – and the GIS data set can be downloaded as a shapefile at http://www.phillyarchaeology.net/paf-activities/burial-places-forum/historic-philadelphia-burial-places-map/
As longtime advocates for those who can no longer speak for themselves, PAF is lobbying for clearer municipal laws that compel developers to handle burial remains respectfully. We have therefore created this extensive geographical database (GIS).
It is PAF’s intention that, in addition to being useful to historians, archaeologists, and other researchers, consulting the database of known cemeteries and private family plots will become a starting point in the process of due diligence of both developers and the city of Philadelphia when considering new projects.
The database, originally the personal research of archaeologist Kimberly Morrell, has been assembled from historic maps, newspapers, academic theses and other sources. Research is ongoing, but the database is the most comprehensive such resource to date.
Learn more about how this resource was made and how to use it at http://www.phillyarchaeology.net/paf-activities/burial-places-forum/historic-philadelphia-burial-places-map/
This Mon., Feb. 26, 2018, the Delaware County Planning Department will be hosting a public meeting to discuss the master plan for Little Flower Manor, a 33-acre open space site located on Springfield Road in Darby Borough and Upper Darby Township.
The meeting is at 7:00 p.m. at the Darby Borough Community Center, 1022 Ridge Avenue, Darby, PA. No registration is required.
The site is slated to become the largest County-owned park among eastern Delaware County municipalities and features Woodburne, a stately residence designed by Horace Trumbauer in 1906. In the 1930s it was home to the Little Flower Institute, a girls orphanage operated by Sisters of the Divine Redeemer. In the 1970s it became a nursing home, Little Flower Manor, closing in 2005. Currently the fate of the historic property remains uncertain. Project overseers invite public comment on desired uses of Woodburne and its adjacent open space.
For more information visit http://www.co.delaware.pa.us/planning/currentprojects/LFMPublicMeetingNotice2.html
We are working on a guided tour of the exhibit “Real Estate: Dwelling in Contemporary Art” on view at the The Philip & Muriel Berman Museum of Art at Ursinus College in Collegeville, PA, on either Saturday, March 10 or Sunday, March 11 at 12:30 p.m.
We are also hoping to set up a tour of the Speaker’s House less than a mile away in Trappe, PA, following the Berman Museum at about 2:00 p.m. The home of Frederick Muhlenberg, the First and Third Speaker of the United States House of Representatives, is currently being restored to its 1790s appearance.